Final Draft

SCREENWRITING SOFTWARE

Final Draft® is installed on the computers in

Com Arts: 204, 205, Student Production Office and in the Hannon Library.

Playa Vista Rooms:

221, 222, 223, 225, 226, 288, 289, 290, and the Student Production office.

As a Screenwriting major, you should seriously consider purchasing a personal copy of Final Draft. The company offers an educational discount that can be purchased directly from Final Draft. Here is the list of criteria you will need to provide in order to qualify:

  • College Students need to be currently enrolled or upload a valid Student ID card scan, registration receipt, class schedule or a letter of enrollment on school letterhead.

DO NOT USE THE PRINTER IN THE STUDENT PRODUCTION OFFICE TO PRINT YOUR SCRIPTS.

Recording Studio Directory

To reserve a sound studio, you must first be “instructor qualified” by taking the pre-req class and attending a workshop conducted by a RECA instructor or a designated RECA Classroom Aide. Since facilities may be upgraded or changed, “refresher” workshops may be required in subsequent semesters. 

OPEN USE  NO PREREQUISITE 

TASK ROOM CAPABILITIES 
Workstation 222 SOUND FX LIBRARY, ACCESSIBLE 24/7, FIREWIRE/USB. 

EDIT AND PRE-MIX SUITES– PREREQUISITE: RECA 250* or 500 

TASK ROOM CAPABILITIES 
Sound Edit 004 PRO TOOLS EDITING / PRE-MIXING. 
Sound Edit 011 PRO TOOLS EDITING / PRE-MIXING. 
Sound Edit 012 PRO TOOLS EDITING / PRE-MIXING. 
Control Room/Foley Booth  013/014 PRO TOOLS ADR / V.O. / FOLEY to Digital Pictures 
Sound Edit 213 PRO TOOLS EDITING / PRE-MIXING. 
Sound Edit 214 PRO TOOLS EDITING / PRE-MIXING. 
Sound Edit 215 PRO TOOLS EDITING / PRE-MIXING. 
ADR Booth 216 V.O. BOOTH FOR USE WITH CONTROL RM 218. 
Control 218 PRO TOOLS ADR / V.O. / Foley to digital picture 
*(Instructor Qualified Animation Majors who have not taken RECA 250 may use Rm 213 – 218 to record to Pro Tools.) 

DUB STAGES AND FOLEY ROOMS – VARIOUS PREREQUISITES* 

TASK ROOM CAPABILITIES 
Dub Stage 203 (Red Room) PRO TOOLS HDX w/ C-24 Control Surface. 5.1 surround capability. MIX QUALITY CHECK. 
Dub Stage 010 PRO TOOLS HDX. C-24 Control Surface. 5.1 Surround. EDITING /MIXING. 
Control/ 
Dub Stage 
210  
(Blue Room) 
PRO TOOLS HDX. 5.1 Surround. ADR / V.O. / FOLEY / MIXING CLASSROOM FOR SOME UPPER DIVISION RECA CLASSES. 
ADR Booth 208 BOOTH FOR ADR / V.O. / FOLEY (Use 210 as a control room.) 
*Please Note: Certain rooms require completed pre-requisites in order to competently operate the room. If you attempt to schedule a room and you have not met these requirements yet, you may be asked to speak with a RECA instructor prior to booking. 
**Students concurrently enrolled in 400/500/600 level production have priority for 216/218 &013/014. 
*** Regularly scheduled classes in the Blue Room have priority; students may not book during those times. 

RECA MAJORS ONLY  INSTRUCTOR QUALIFIED IN RECA 355/361 

TASK ROOM CAPABILITIES 
Music 211 PRO TOOLS HDX. Avid S1 Controller. MUSIC MIXING. 
Music 212 PRO TOOLS HDX. Avid S1 Controller. MUSIC MIXING. 
Music 015 PRO TOOLS HDX. MUSIC MIXING. 
Music Burns 108 (STUDIO L) PRO TOOLS HDX. MUSIC RECORDING & CLASSROOM. 

RECA INSTRUCTORS ONLY – LECTURE ROOM  NO STUDENT ACCESS 

TASK ROOM CAPABILITIES 
Class 206 PRO TOOLS HDX. 5.1 Surround. CLASSROOM FOR LECTURES/ LABS. 

RECA INSTRUCTORS ONLY – LECTURE ROOM  LIMITED STUDENT ACCESS 

TASK ROOM CAPABILITIES 
Class 206 PRO TOOLS HDX. 5.1 Surround. CLASSROOM FOR LECTURES/LABS. 

***PLAYA VISTA  RECA INSTRUCTORS ONLY – LECTURE ROOM  LIMITED STUDENT ACCESS 

TASK ROOM CAPABILITIES 
Class 261 PRO TOOLS HDX. AVID S6 Control Surface. 5.1 Surround. CLASSROOM FOR LECTURES/LABS. 

***PLAYA VISTA  DUB STAGE – VARIOUS PRE-REQUISITES RECA 358 or 567* 

TASK ROOM CAPABILITIES 
Dub Stage 230 PRO TOOLS HDX. AVID S6 Control Surface. 5.1 Surround. MIXING.  

***PLAYA VISTA – FOLEY/ADR STAGES – VARIOUS PRE-REQUISITES RECA 358 or 500* 

TASK ROOM CAPABILITIES 
Foley Record 243/243C PRO TOOLS HDX. C-24 Control Surface.  5.1 Surround. FOLEY/ADR  
Foley Record 260/260C PRO TOOLS HDX. C-24 Control Surface. 5.1 Surround. FOLEY/ADR 

*Please Note: Certain rooms require completed pre-requisites in order to competently operate the room. Please consult the Senior Engineer before attempting to book ANY space in Playa Vista. 

Please check the RECA Office Bulletin Boards (outside Room 222) for further explanations of each studio’s capabilities. 

Sound Studio Usage Policies

GUIDELINES FOR USING THE SPACES AND ROOMS

Most studios at Playa Vista may be opened with a One Card. Most studios at ComArts require an ONITY card to open them. For rooms with One Card access, students are still required to complete the paperwork for accessing these spaces. ONITY Cards are issued from the RECA Desk.

Students must be currently enrolled in SFTV and be instructor qualified to book and operate SFTV sound studios. Any student wishing to obtain a variance must obtain permission in writing from their RECA Instructor and the Senior Audio Engineer prior to the booking.  

Students must be fully prepared to vacate the rooms at the end of their reserved time. If your time bleeds into another session and you are reported to the RECA Office, your permission to book rooms in the future may be revoked. 

If equipment does not work properly: 

  • Immediately stop using it.   
  • DO NOT force or try to fix anything.   
  • If you have a problem, contact the RECA Office (x87368) or email James.Watts@lmu.edu  
  • When emailing, please provide location of malfunctioning equipment and identify the specific problem to the best of your ability 
  • If this happens during normal business hours, we will make best efforts to reschedule you for another session.  

You assume FULL financial responsibility for any loss or damage to equipment due to negligence or abuse, either as an individual or as a member of a group. For your protection, do not let others use facilities assigned to you.  Remember, you will be held responsible for their actions regardless of whether or not you were present.  It is your responsibility to clean up the area upon completion of work. 

Upon completion, shut down the equipment (unless that equipment is supposed to be left on) switch off all the lights, secure the area, and lock the door. If you do not report missing or damaged equipment to personnel, you WILL be held responsible. If you do not report other violations (ex. Food, Smoke) in your booked edit suite, then you will be the one held responsible and will be assessed the corresponding fine. If something seems out of order or unusual in your assigned room, please let us know.  

Remember: if you don’t let us know there’s a problem, we can’t fix it. 

Students must turn off the lights and shut down the computer when finished in a sound studio or risk a fine.  

STUDENTS MAY NOT

  • Eat, drink, smoke or vape in our studios.  
  • Reconfigure, rewire, or cause to reconfigure or rewire our studios unless provisions for a patch bay exist 
  • Modify computer systems, copy applications, plug-ins, or otherwise infringe on copyrights.  
  • Use studios over winter and summer breaks unless they are enrolled in a class or have permission in writing from the RECA Department Chair 
  • Access rooms without first scheduling them through the RECA Office and obtaining an approved booking form.  

Music recording is prohibited in the ADR/Foley stages unless prior arrangements have been made with affected Faculty and/or the Senior Engineer. Fines will be imposed to all violators. 

Camera Services Lottery

HOW THE CAMERA SERVICES LOTTERY WORKS

The SFTV Camera Lottery takes place every Thursday promptly at 12:15pm in COM 109 and remotely by email. For information on how to remotely participate in the Camera Services Lottery, visit Camera Services Remote Lottery.

Where: In person at the Camera Services Department (COM 109) OR if you are participating remotely, email your completed reservation form to Peter Soto

When: If in person, every Thursday promptly at 12:15pm in COM 109. If by email, must be received no later than 12:00pm.

Who: Only those students wishing to place a reservation the maximum of two weeks in advance of their shooting weekend may participate.

How: Each eligible student that submits will be assigned a number via a random number generator in no particular order. After every student has drawn a number a Camera Services Department Technician will begin accepting completed reservation forms starting with the lowest number drawn.

Your reservation will be time and date stamped at this time. The time and date stamp is only ONE way of determining what gear will be available to you. Please refer to the “Determining Priority” section.

Those students who miss the lottery may submit reservation forms up to two days before their pick-up date which will be time and date stamped accordingly.

All reservations accepted by end of business day on that Thursday two weeks prior to the shooting weekend will be prioritized and cuts made at this time. Students will be notified on the Friday after each lottery of items they requested that are not available.

Why: The lottery was conceived in order to make for a fairer process of accepting reservation forms as well as to alleviate the burden to students of lining up in front of each department, sometimes up to 24 hours before reservations would be accepted.

We are always trying to improve the process in order to ensure that it remains as fair and as transparent as possible.

If you have any suggestions for improvement, please send to Peter Soto.

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