SCREENWRITING SOFTWARE Final Draft® is installed on the computers in Com Arts: 204, 205, Student Production Office and in the Hannon Library. Playa Vista Rooms: 221, 222, 223, 225, 226, 288, 289, 290, and the Student Production office. As a
Production Sound Resources
A SAMPLE OF WHAT IS AVAILABLE FOR CHECKOUT FROM PSD Studio/Field Recording & Mixing equipment, Time Code Slates & Lockit Boxes Wireless (RF) Microphones, Foldback, Boom Poles Microphones – Shotguns, RF’s, Lavalieres, Hand-Held, Voice-Over, Specialty Boom Poles, Stands, Shock mounts
Recording Studio Directory
To reserve a sound studio, you must first be “instructor qualified” by taking the pre-req class and attending a workshop conducted by a RECA instructor or a designated RECA Classroom Aide. Since facilities may be upgraded or changed, “refresher” workshops may be required
Liability and Responsibility
Upon completion of a session, students are obligated to: Account for all equipment, microphones, cables and mike stands. “Normalize”’ the console and all equipment. Clean studio area. All equipment should be accounted for and in good condition. Should you find
Production Administration Contact
Contact us Josef Lieck, Head of Production Office: COM 118B Office Phone: 310 338 2973 FOR EMERGENCIES:310.258.2686 Office email: Josef.Lieck@lmu.edu Debora McClune, Associate Head of Production Office: COM 118A Office Phone: 310 338 1941 Office email: dmcclune@lmu.edu Amy Beth Barnes,
Animation Computer Labs
COM 301, COM 315 & HFP 300 The Animation computers are reserved for students currently enrolled in Animation courses. Students must not monopolize workstations while others are waiting and they must relinquish/logout from any workstation if they step away for
Camera Services Lottery
HOW THE CAMERA SERVICES LOTTERY WORKS What It Is A fair and transparent system for determining access to camera gear for Student Productions classes. This process ensures equal opportunity for all eligible students and eliminates the need to line up