{"id":1735,"date":"2021-06-08T14:07:54","date_gmt":"2021-06-08T21:07:54","guid":{"rendered":"https:\/\/sftvproductionhandbook.lmu.build\/?p=1735"},"modified":"2026-07-14T14:07:33","modified_gmt":"2026-07-14T21:07:33","slug":"recording-studio-directory","status":"publish","type":"post","link":"https:\/\/sftvproductionhandbook.lmu.build\/index.php\/2021\/06\/08\/recording-studio-directory\/","title":{"rendered":"Recording Studio Directory"},"content":{"rendered":"\n

To reserve a sound studio, you must first be \u201cinstructor qualified\u201d by taking the pre-req class and attending a workshop conducted by a RECA instructor or a designated RECA Classroom Aide. Since facilities may be upgraded or changed, \u201crefresher\u201d workshops may be required in subsequent semesters. <\/p>\n\n\n\n

OPEN USE<\/em><\/strong> <\/em><\/strong>–<\/em><\/strong> NO<\/em><\/strong> <\/em><\/strong>PREREQUISITE<\/em><\/strong> <\/p>\n\n\n\n

TASK<\/strong> <\/td>ROOM<\/strong> <\/td>CAPABILITIES<\/strong> <\/td><\/tr>
Workstation <\/td>222 <\/td>SOUND FX LIBRARY, ACCESSIBLE 24\/7, FIREWIRE\/USB. <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

EDIT AND PRE-MIX SUITES\u2013 PREREQUISITE: RECA 250<\/em><\/strong>*<\/em><\/strong> or<\/em><\/strong> <\/em><\/strong>500<\/em><\/strong> <\/p>\n\n\n\n

TASK<\/strong> <\/td>ROOM<\/strong> <\/td>CAPABILITIES<\/strong> <\/td><\/tr>
Sound Edit <\/td>004 <\/td>PRO TOOLS EDITING \/ PRE-MIXING. <\/td><\/tr>
Sound Edit <\/td>011 <\/td>PRO TOOLS EDITING \/ PRE-MIXING. <\/td><\/tr>
Sound Edit <\/td>012 <\/td>PRO TOOLS EDITING \/ PRE-MIXING. <\/td><\/tr>
Control Room\/Foley Booth  <\/td>013\/014 <\/td>PRO TOOLS ADR \/ V.O. \/ FOLEY to Digital Pictures <\/td><\/tr>
Sound Edit <\/td>213 <\/td>PRO TOOLS EDITING \/ PRE-MIXING. <\/td><\/tr>
Sound Edit <\/td>214 <\/td>PRO TOOLS EDITING \/ PRE-MIXING. <\/td><\/tr>
Sound Edit <\/td>215 <\/td>PRO TOOLS EDITING \/ PRE-MIXING. <\/td><\/tr>
ADR Booth <\/td>216 <\/td>V.O. BOOTH FOR USE WITH CONTROL RM 218. <\/td><\/tr>
Control <\/td>218 <\/td>PRO TOOLS ADR \/ V.O. \/ Foley to digital picture <\/td><\/tr><\/tbody><\/table>
*(Instructor Qualified Animation Majors who have not taken RECA 250 may use Rm 213 \u2013 218 to record to<\/em> Pro Tools.)<\/em> <\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

DUB <\/em><\/strong>STAGES <\/em><\/strong>AND FOLEY ROOMS \u2013 <\/em><\/strong>VARIOUS<\/em><\/strong> <\/em><\/strong>PREREQUISITES*<\/em><\/strong> <\/p>\n\n\n\n

TASK<\/strong> <\/td>ROOM<\/strong> <\/td>CAPABILITIES<\/strong> <\/td><\/tr>
Dub Stage <\/td>203 (Red Room) <\/td>PRO TOOLS HDX w\/ C-24 Control Surface. 5.1 surround capability. MIX QUALITY CHECK. <\/td><\/tr>
Dub Stage <\/td>010 <\/td>PRO TOOLS HDX. C-24 Control Surface. 5.1 Surround. EDITING \/MIXING. <\/td><\/tr>
Control\/ 
Dub Stage <\/td>		210  
(Blue Room) <\/td>		PRO TOOLS HDX. 5.1 Surround. ADR \/ V.O. \/ FOLEY \/ MIXING CLASSROOM FOR SOME UPPER DIVISION RECA CLASSES. <\/td><\/tr>
ADR Booth <\/td>208 <\/td>BOOTH FOR ADR \/ V.O. \/ FOLEY (Use 210 as a control room.) <\/td><\/tr><\/tbody><\/table>
*Please Note: Certain rooms require completed pre-requisites in order to competently operate the room. If you attempt to<\/em> schedule a room and you have not met these requirements yet, you may be asked to speak with a RECA instructor<\/em> prior to booking.<\/em> 
**Students concurrently enrolled in 400\/500\/600 level production have priority for 216\/218 &013\/014.<\/em> 
*** Regularly scheduled classes in the Blue Room have priority; students may not book during those times.<\/em> <\/figcaption><\/figure>\n\n\n\n

RECA MAJORS <\/em><\/strong>ONLY <\/em><\/strong>\u2013<\/em><\/strong> <\/em><\/strong>INSTRUCTOR QUALIFIED IN RECA<\/em><\/strong> <\/em><\/strong>355\/361<\/em><\/strong> <\/p>\n\n\n\n

TASK<\/strong> <\/td>ROOM<\/strong> <\/td>CAPABILITIES<\/strong> <\/td><\/tr>
Music <\/td>211 <\/td>PRO TOOLS HDX. Avid S1 Controller. MUSIC MIXING. <\/td><\/tr>
Music <\/td>212 <\/td>PRO TOOLS HDX. Avid S1 Controller. MUSIC MIXING. <\/td><\/tr>
Music <\/td>015 <\/td>PRO TOOLS HDX. MUSIC MIXING. <\/td><\/tr>
Music <\/td>Burns 108 <\/td>(STUDIO L) PRO TOOLS HDX. MUSIC RECORDING & CLASSROOM. <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

RECA INSTRUCTORS <\/em><\/strong>ONLY <\/em><\/strong>\u2013 LECTURE ROOM <\/em><\/strong>\u2013<\/em><\/strong> NO<\/em><\/strong> <\/em><\/strong>STUDENT ACCESS<\/em><\/strong> <\/p>\n\n\n\n

TASK<\/strong> <\/td>ROOM<\/strong> <\/td>CAPABILITIES<\/strong> <\/td><\/tr>
Class <\/td>206 <\/td>PRO TOOLS HDX. 5.1 Surround. CLASSROOM FOR LECTURES\/ LABS. <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

RECA INSTRUCTORS ONLY \u2013 LECTURE ROOM <\/em><\/strong>\u2013<\/em><\/strong> LIMITED STUDENT ACCESS<\/em><\/strong> <\/p>\n\n\n\n

TASK<\/strong> <\/td>ROOM<\/strong> <\/td>CAPABILITIES<\/strong> <\/td><\/tr>
Class <\/td>206 <\/td>PRO TOOLS HDX. 5.1 Surround. CLASSROOM FOR LECTURES\/LABS. <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

***PLAYA VISTA <\/em><\/strong>\u2013<\/em><\/strong> RECA INSTRUCTORS ONLY \u2013 LECTURE ROOM <\/em><\/strong>\u2013<\/em><\/strong> LIMITED STUDENT ACCESS<\/em><\/strong> <\/p>\n\n\n\n

TASK<\/strong> <\/td>ROOM<\/strong> <\/td>CAPABILITIES<\/strong> <\/td><\/tr>
Class <\/td>261 <\/td>PRO TOOLS HDX. AVID S6 Control Surface. 5.1 Surround. CLASSROOM FOR LECTURES\/LABS. <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

***PLAYA VISTA <\/em><\/strong>\u2013<\/em><\/strong> DUB STAGE \u2013 VARIOUS PRE-REQUISITES <\/em><\/strong>RECA 358 or 567<\/em><\/strong>*<\/em><\/strong> <\/p>\n\n\n\n

TASK<\/strong> <\/td>ROOM<\/strong> <\/td>CAPABILITIES<\/strong> <\/td><\/tr>
Dub Stage <\/td>230 <\/td>PRO TOOLS HDX. AVID S6 Control Surface. 5.1 Surround. MIXING.  <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

***PLAYA VISTA \u2013 FOLEY\/ADR STAGES \u2013 VARIOUS PRE-REQUISITES <\/em><\/strong>RECA 358 or 500<\/em><\/strong>*<\/em><\/strong> <\/p>\n\n\n\n

TASK<\/strong> <\/td>ROOM<\/strong> <\/td>CAPABILITIES<\/strong> <\/td><\/tr>
Foley Record <\/td>243\/243C <\/td>PRO TOOLS HDX. C-24 Control Surface.  5.1 Surround. FOLEY\/ADR  <\/td><\/tr>
Foley Record <\/td>260\/260C <\/td>PRO TOOLS HDX. C-24 Control Surface. 5.1 Surround. FOLEY\/ADR <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

*Please Note: Certain rooms require completed pre-requisites in order to competently operate the room. Please consult the<\/em> Senior<\/em> Engineer before attempting to book ANY space in Playa Vista.<\/em> <\/p>\n\n\n\n

EQUIPMENT LIST<\/p>\n\n\n\n

Westchester Campus:<\/strong><\/p>\n\n\n\n

\u00b7\u00a0\u00a0\u00a0\u00a0 \u00a06 Audio Editing Rooms: Mac Mini M2 Pro \/ Pro Tools Studio\u00a0<\/p>\n\n\n\n

\u00b7                     2 Small ADR\/Foley Suites: Mac Mini M2 Pro \/ Pro Tools Studio \/ Small Collection of Foley Props <\/p>\n\n\n\n

\u00b7                     1 Large ADR\/Foley Suite: Mac Studio M1 Ultra \/ Pro Tools Ultimate\/5.1 Monitoring \/ Avid S4 DAW Controller Console \/ Sennheiser 416 & MKS50 Microphones \/ Large Collection of Foley Props <\/p>\n\n\n\n

\u00b7                     2 Mix Rooms: Mac Studio M1 Ultra \/ Pro Tools Ultimate\/5.1 Monitoring \/ Avid S4 & S1 DAW Controller Console <\/p>\n\n\n\n

\u00b7                     1 Music Recording Studio: Mac Studio M1 Ultra \/ Pro Tools Ultimate \/ ATC & Yamaha Monitors <\/p>\n\n\n\n

\u00b7                     API Legacy+ 32 Channel Analog Mixing Console <\/p>\n\n\n\n

\u00b7                     Console Includes Fully Loaded 15 space 500 Series Rack <\/p>\n\n\n\n

\u00b7                     Industry Standard Outboard Equipment Includes <\/p>\n\n\n\n

\u00b7                     EQs by SSL and Mercury Labs <\/p>\n\n\n\n

\u00b7                     Dynamic Processors include UA 1176 & LA2a; Distressors; dbx 160 & 160x <\/p>\n\n\n\n

\u00b7                     Effects Processors Include <\/p>\n\n\n\n

\u00b7                     Bricasti M7 & AMS RMX16 Reverb Processors <\/p>\n\n\n\n

\u00b7                     Eventide H3000 and Lexicon PCM92 Multi Effects Processor <\/p>\n\n\n\n

\u00b7                     Thermionic Culture Vulture <\/p>\n\n\n\n

\u00b7                     Wide Microphone Collection Includes: Neumann U67; Telefunken ELAM 251; along with microphones by Coles; Royer; Sennheiser; AKG; & Shure <\/p>\n\n\n\n

\u00b7                     2 Music Editing Rooms: Mac Studio M1 Ultra \/ Pro Tools Ultimate \/ MIDI Keyboard Controller \/ Avid S1 DAW Controller Console <\/p>\n\n\n\n

\u00b7                     1 Music Editing Room: Mac Studio M1 Ultra \/ Pro Tools Ultimate \/ MIDI Keyboard Controller <\/p>\n\n\n\n

\u00b7                     Digico SD9 \u2013 Live Mixing Console <\/p>\n\n\n\n

\u00b7                     Yamaha QL5 \u2013 Monitor Mixing Console <\/p>\n\n\n\n

\u00b7                     Dynacorp Cobra \u2013 Line Array Speakers <\/p>\n\n\n\n

\u00b7                     Mackie SRM 450 \u2013 Monitor Speakers <\/p>\n\n\n\n

Playa Vista Campus:<\/strong> <\/p>\n\n\n\n

\u00b7                     2 Large ADR\/Foley Suites: Mac Studio M1 Ultra \/ Pro Tools Ultimate\/Stereo Monitoring \/ Avid S1 DAW Controller Console \/ Sennheiser 416 & Neumann TLM 102 Microphones \/ Small Collection of Foley Props <\/p>\n\n\n\n

\u00b7                     1 Large Mix Room: Mac Studio M1 Ultra \/ Pro Tools Ultimate\/7.1 Monitoring \/ Avid S6 DAW Controller Console <\/p>\n\n\n\n

Please check the RECA Office Bulletin Boards (outside Room 222) for further explanations of each studio\u2019s capabilities. <\/p>\n","protected":false},"excerpt":{"rendered":"

To reserve a sound studio, you must first be \u201cinstructor qualified\u201d by taking the pre-req class and attending a workshop conducted by a RECA instructor or a designated RECA Classroom Aide. 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